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Photo credit: David Marks |
Scipione Borghese, an Italian Cardinal from 1610
to 1633, was a very strong willed and conniving art collector who built a
palace to match and display one of the finest art collections in the world.
His legacy was the establishment of the art collection of the Villa
Borghese. This man’s attempts get his hands on the rarest art around wasn't
always through the most pleasant of means. Although he stole and forced most
people out of their art for his collection, I am really grateful that he did. I
know that sounds selfish, but when I entered the museum, it was honestly the
first time I made a true connection with art.
It's hard to describe, but I could feel the
emotions and connect with the characteristics of the wonderful pieces that were
displayed before me. Witnessing Bernini's sculptures and paintings by
other great artists gave me the appreciation to truly start to understand
Baroque art. You can do all the research you want in the world on Baroque art,
but until you stand before these works of genius, it is difficult to grasp the
story and the history behind the artists’ emotions towards their work. After
spending two hours at this magnificent Villa Borghese with Context Travel’s
phenomenal guide, Hilary, I felt like a child opening up the biggest box he
could find on a gentle Christmas Day. Two of my favorite pieces in the Villa
Borghese were a statue by Bernini and a painting by Raphael.
Gian Lorenzo Bernini was one of the finest
artists and contributors to the most beautiful sites we see today in Rome. He
wasn't perfect, and he happened to make some erratic choices when it came to
picking the right marble for his statutes. Unlike Michelangelo who really took
pride in the selection of the perfect marbles to use, Bernini accepted his
marble blocks sight unseen. This really made me frustrated, because I felt that
if he would have taken that extra step to trying to perfect not only himself
but his art, he could have true perfection in his statutes.
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photos courtesy wikimedia commons |
Besides the small imperfections in the marble -
pockmarks here, black cracks and stains there, they all spoke to me. The one
that really appealed to my emotions from all directions was Bernini's Apollo
and Daphne. Do you know this extraordinary statue - and the story behind it?
Our amazing docent told us to use the perspectives that Bernini wanted us to,
as we viewed the sculpture. As you walk around the delicate carving from a
single slab of marble, you have to imagine that you don't know the myth of the
statute. At first from behind, it's gentle - you can see only a man running for
something he wants. Then from the side, I got this sense of them making love
and enjoying a good time. Next, Bernini revealed from the front that it
was the complete opposite since she looked in distress and was trying to run
away from Apollo. Bernini did a great job of showing actual movement in the
sculpture. It's almost as if you could predict the next sequence of movements
about to happen. Finally, when I reached the last side, I felt Daphne’s pain,
as well as Apollo’s lust. This could have all been avoided if Cupid could have
taken a joke and not caused Apollo to be a crazed man in love with an
untouchable woman, but then we would not have this interesting story and even
more unbelievable statue to gaze upon.
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photos courtesy wikimedia commons |
Another piece within the gallery, Raphael's
painting of the Deposition of Christ, was a perfect example of Renaissance art
that helped me view art in a completely different way. Hilary sat us all down
and told us to imagine lines crossing corner to corner on the canvas. Then she
spoke about how Renaissance art was all about balance. Beside the emotion of a
mother’s greatest grief being portrayed, it also showed perfect balance in
numbers and in color.
Before I experienced Context’s walk on Italian
art at the Villa Borghese, I never thought there were so many messages and
higher level of thinking put into all this paint on canvas or carved marble.
This walk really changed my mind about art and the way I view and process
canvas and sculptures. It was very emotional for me and left me somewhat upset
when we ran out of time, as analyzing art is something that I grew to
appreciate once I was shown how to do it. I cannot wait to dive into
artwork in the future that will open my eyes to new worlds beyond those of
Bernini and Raphael.
-Malik Lee
2 comments:
Love this, Malik! I often think that we can never truly understand a place until we've been there. That's true about art, too - we have to SEE it. Big thanks to Scipione Borghese! :)
This is an excellent article and I would love to share it on Pinterest. Would you mind that? I wish there were more "ah-ha" expressions such as this for people to read. If non-artists understood how wonderful it was to have such an experience they would be clamoring to get to all kinds of museums! Thank you for writing it.
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